File Download Area

Information about "Cambridge Primary Checkpoint - English (0844) April 2016 Paper 2 MS.pdf"

  • Filesize: 615.38 KB
  • Uploaded: 26/11/2018 21:54:20
  • Status: Active

Free Educational Files Storage. Upload, share and manage your files for free. Upload your spreadsheets, documents, presentations, pdfs, archives and more. Keep them forever on this site, just simply drag and drop your files to begin uploading.

Download Urls

  • File Page Link
    https://www.edufileshare.com/d3963ac43a6f8e74/Cambridge_Primary_Checkpoint_-_English_(0844)_April_2016_Paper_2_MS.pdf
  • HTML Code
    <a href="https://www.edufileshare.com/d3963ac43a6f8e74/Cambridge_Primary_Checkpoint_-_English_(0844)_April_2016_Paper_2_MS.pdf" target="_blank" title="Download from edufileshare.com">Download Cambridge Primary Checkpoint - English (0844) April 2016 Paper 2 MS.pdf from edufileshare.com</a>
  • Forum Code
    [url]https://www.edufileshare.com/d3963ac43a6f8e74/Cambridge_Primary_Checkpoint_-_English_(0844)_April_2016_Paper_2_MS.pdf[/url]

[PDF] Cambridge Primary Checkpoint - English (0844) April 2016 Paper 2 MS.pdf | Plain Text

This document consists of 14 printed pages. IB16 05_0844_02/RP © UCLES 2016 [Turn over Cambridge International Examinations Cambridge Primary Checkpoint ENGLISH 0844/02 Paper 2 April 2016 MARK SCHEME Maximum Mark : 50

2 © UCLES 2016 0844/02/A/M/16 Section A: Reading Question number 1 Tick ( ) two boxes that we know are TRUE from the passage. Part Mark Answ er Further Information 2 Michael misses his family . Michael does not want to upset Kensuke. Award 1 mark for each correct tick/ unambiguous mark. Boxes 1 and 3 should be ticked. Award 0 for more than two ticks or unclear responses. Total 2 Question number 2 How long does Michael take to make up his mind about sending the message? Part Mark Answ er Further Information 1 Accept one of: • some days • a few days • several days Do not accept responses that indicate a longer timeframe. e.g. a week Do not accept responses that indicate a shorter timeframe. e.g. • a day • a few hours • until nighttime Do not accept vague answers: e.g. • not long • a while Total 1

3 © UCLES 2016 0844/02/A/M/16 [Turn over Question number 3 At first, Michael hides the Coke bottle. Why? Part Mark Answ er Further Information 1 Award 1 mark for one or no more than two of the following ideas: • so he has time to think (whether sending a message is the right thing to do) • he doesn’t want Kensuke to see it / know about it / find it • because he wasn’t sure if he really wanted to do it or not • He was wrestling with his conscience. • He was trying to justify/ justifying what he wanted to do. • He doesn’t want to upset Kensuke / make him sad. Do not accept direct quotes as this would have the wrong pronoun and not answer the question. Do not accept the whole of the first sentence as a direct quote. Total 1 Question number 4 What lie does Michael tell Kensuke? Part Mark Answ er Further Information 1 Michael told Kensuke he was (shell) painting. Accept: ‘I had stayed behind to finish the shell painting – or so I told him’, but no more . Total 1

4 © UCLES 2016 0844/02/A/M/16 Question number 5 When Michael is on his way to send the message, does he meet Kensuke? Tick ( ) one box. Give a reason from the passage to support your answer. Part Mark Answ er Further Information 1 Accept ‘ no’ as an answer with one/both of the following phrases /ideas: • ‘I ran the entire length of the island keeping always to the forest.’ • 'There was no chance that Kensuke could see where I was going (or what I was up to).’ There is no mark for the first part of the question. Do not accept answers where ‘ yes’ has been ticked. Accept ideas that combine both bullets: e.g. ‘He kept to the forest so there was no chance Kensuke could see him.’ This could be a quote of the wh ole of the first sentence in the relevant paragraph. Do not however accept answers where the candidate quotes from ‘The gibbons…’ onwards. Do not accept vague answers: e.g. • He tried to hide from Kensuke • Because he went through the bush Total 1

5 © UCLES 2016 0844/02/A/M/16 [Turn over Question number 6 Why does Michael hurl the bottle out to sea? Part Mark Answ er Further Information 1 Accept one or more of the following: so i t won’t be swept in again by the waves OR so it goes a long way OR so the bottle wouldn’t smash against the rocks below The focus of this question is about the distance out to sea and not about him sending the bottle in the hope that it would be found. Do not accept imprecise answers: e.g. • So that it will go far out to sea. • So his family will find it • Because he hoped it would be found. However , if these are given alongside a correct response, they may be regarded as neutral. Total 1

6 © UCLES 2016 0844/02/A/M/16 Question number 7 Does Michael have mixed feelings after he has sent the message? Tick ( ) one box. Explain your answe r in your own words. Part Mark Answ er Further Information 2 Explanation 1 mark Quotation 1 mark There is no mark for the first part of the question but answers must agree with the choice ‘yes ’. Do not accept answers where ‘ no’ has been ticked. Award one mark for a suitable explanation mostly in the candidate’s own words , that describes the mixed feelings. Award a further mark for a matching quote which must be accurate. A quote on its own is not creditworthy. However, an explanation on its own can gain credit. Important note: If, when giving a quote, some ‘own words’ are used, the selected words for the quotation must be within quotation marks or underlines, i.e. highlighted clearly. Allow one copying error in quotes. Yes : He wants to go but doesn’t want to upset Kensuke. Any of these quotes can be used to support all of the explanations: ‘I lay all night in deep torment, racked by guilt, ( yet at the same time still hoping against hope that my bottle would be picked up.)’ Or ‘Whilst I wrestl ed with my conscience.’ Or ‘racked by guilt, yet at the same time still hoping’ a succinct version of the 1st quote Yes : He feels guilty at what he has done, but still wants the bottle to reach his parents. Yes: He felt kind of relieved and guilty at the same time. Yes: He was guilty but still full of hope. Yes: because he was distressed, tortured and had hope Yes: He misses his family and likes the old man. Total 2

7 © UCLES 2016 0844/02/A/M/16 [Turn over Question Number 8 Stella returns with the Coke bottle. Why is she ‘pleased with herself’? Part Mark Answ er Further information 1 Accept one of: • She thinks she has brought something special back. • She thought she was being clever / helping . • She thought it was a game / she thought it had been thrown for her (to collect). • She might have thought it was like a small animal. • A Coke bottle would be unusual on the island, so something of a ‘find’. • She thought Michael wanted it. If more than one of the acceptable responses are given, the additional information is neutral. A quote of any kind is not acceptable here. Total 1 Question Number 9 Does Kensuke know what is in the bottle? Select evidence from the passage to support your answer. Part Mark Answ er Further information 2 yes Evidence: ‘By the w ay he looked at me I was quite sure he knew at once what it was.’ Award 1 mark for ‘Yes’ . N.B. This must be focused on Kensuke. Award a further mark for the evidence. N.B. e vidence does not have to be a direct quote. Do not accept: he knew there was som ething in the bottle – this just repeats the question. Total 2

8 © UCLES 2016 0844/02/A/M/16 Question Number 10 How does Kensuke feel about Michael’s deception? Explain how you know. Part Mark Answ er Further information 2 Answ er Explanation Award 1 mark for Kensuke’s feelings. Award a further mark for supporting evidence. Accept verbatim quotations as evidence. For both marks, answers and evidence must match. Evidence on its own is not creditworthy. However, an answer from the first column on its own can gain credit. Do not credit incomplete /vague answers: e.g: he knew he’d hurt Kensuke He feels hurt / pain / upset . He was hurt to the soul. OR long and aching silence He feels deep emotion. He was hurt to the soul. OR long and aching silence He feels distant / alienated. They are unnaturally polite. OR n ot really like friends OR They are in separate cocoons. OR long and aching silence OR not together anymore Total 2

9 © UCLES 2016 0844/02/A/M/16 [Turn over Question Number 11 (a) Look at the underlined phrase. Tick ( ) one box to show wh at technique is being used here. (b) Explain what you think the underlined phrase means. Part Mark Answ er Further information (a) 1 metaphor. (b) 2 The two ideas here are: • (Michael’s) guilt/ confusion • the anger / disapproval (of Kensuke) as shown by t he animals of the forest. e.g. • The animals are/forest is showing disapproval (of Michael) . (1 mark) • The loud noise of the animals/forest represents Michael’s confusion/guilt . (1 mark) • The animals are/forest is making a lot of noise , showing that they are angry (with Michael) . (1 mark) • The animals’ /forest’s loud noise describes Kensuke’s feelings towards Michael. (1 mark) • Michael is feeling guilty and the loud noise makes him feel as if he’s getting told off. (2 mark s) • (It seems) Everything is against Micha el. This makes him feel more guilty / adds to his confusion. (2 mark s) Award 1 mark for each of the two ideas. Award 2 marks for answers which combine both ideas Total 3

10 © UCLES 2016 0844/02/A/M/16 Question Number 12 (a) From the evidence in this extract, which genre do you t hink the story is? (b) Name two general features of the genre you chose for 12 (a) . Part Mark Answ er Further information (a) 1 real life story (b) 2 Features of real life stories include: • the characters coul d all be real people • the events could actually happen • the story has a contemporary setting • the plot is a familiar theme for a real life story • the setting could be in a real place. Award 1 mark for each correct answer. Answers which are correct in addition to those suggested can be awarded the mark . If a wrong answer is given in 12 (a) , award 1 mark for 2 appropriate features of the genre identified. Please note: ‘features of the genre’ does not mean from the story. The story may ONLY be referred to as an example alongside a correct general featu re. Statements like: ‘Characters are real’ are not creditworthy as they need to be described as ‘ could be real’. The same is true about events – ‘could take place’ and settings – ‘could be familiar’ Allow: Setting can exist/ events can or may happen. Do not accept: (it) can be real Total 3

11 © UCLES 2016 0844/02/A/M/16 [Turn over Section B: Writing 13 Write a story in which there is a difficult decision involved. This story might include owning up to something, revealing the truth about a friend, making the decision to move to a dif ferent place or school. Such sorts of decisions will involve mixed feelings. Ideas to help you: Character How many characters will you have? What will their role be in the story? Will you be writing as if you are the main character – that is, in the fi rst person? Setting Has the place where the sto ry is set got any significance? How will you bring it into the story? Plot Which part of the story will be the most exciting? How will you end it? Notes to markers • Marking should always begin from the lowest mark in each column (i.e. from 1 mark and work upwards. Award 0 if 1 mark is not achieved) . • All the statements should be achieved for a student to achieve the mark (i.e. if there are two statements to describe a mark, both statements must be achiev ed before the mark can be given). • Stop marking at the first statement in a column that the student fails to achieve and award the mark in the box below. NB: MARK SCHEME FOR WRITING IS SPREAD ACROSS 2 PAGES.

12 © UCLES 2016 0844/02/A/M/16 CONTENT Wc AUDIENCE Wa TEXT STRUCTURE Wt SENTENCE STRUCTURE Wn PUNCTUATION Up VOCABULARY Ul SPELLING Us Imaginative details developed using a variety of techniques e.g. imagery. During the course of the story, the development of the character(s) is shown through actions and re actions. 5 Paragraphs are used to structure the narrative, e.g .: they successfully signal the build up and resolution of the main event. Dialogue (if used) is laid out correctly, with new line for each speaker. 5 Some complex sentences show control, including the position of clauses to focus attention. Range of connectives may be developed, e.g.: ‘although’, ‘meanwhile’. 5 Characters are well described with actions linked to key events. Suspense, or excitement, where used, is well built. The decision involved n eeds to have an element of difficulty expressed in terms of a dilemma / mixed feelings. 4 A clear, consistent relationship between writer and reader is established and controlled, e.g.: manipulation of language for effect. 4 Paragraphs are used to help structure the narrative, e.g .: signalling change of time, place and/or focus on a different character. There may be appropriate links between paragraphs , e.g.: good use of time connectives. 4 Some complex sentences used to create effect using expanded phrases and clauses to develop ideas; e.g. : noun, adverbial, adjectival and verb phrases. A wider variety of connectives is used appropriately , e.g. : ‘ if’, ‘when’, ‘because’. 4 All end of sentence p unctuation is used accurately, including speech punctuation. N.B. Actual layout is marked in TS . Clauses are nearly always marked accurately by commas. There may be some errors where certain more complex devices are used, e.g.: colons, semi - colons, ellipses. 4 Spelling is mostly accurate, including words with complex re gular patterns. Allow plausible attempts at tricky polysyllables , e.g. : realised, interesting, wonderful, position, immediately. 4

13 © UCLES 2016 0844/02/A/M/16 [Turn over Story shows a good balance of content, e.g.: action, speech (not essential) and description. Narrative is established comfortably within the chos en g enre, e.g. : not given so needs to be an identifiable genre . 3 The reader is engaged by the inclusion of appropriate detail (i.e. about a decision) with some control . Narrative viewpoint must be clear and consistent, e.g.: narrator as onlooker (first or third person). 3 Paragraphs sometimes used to sequence ideas but not consistently . Ideas are organised simply with a fitting opening and closing that are mostly logical. 3 Some c omplex sentences are used to extend meaning but not always successfully. Use of past and present tense is generally consistent. Subject and verb generally agree. 3 Sentences nearly always demarcated accurately including capitalisation. Commas are used in lists and sometimes to mark clauses. Speech marks, if used, are accurately placed around words spoken, although other punctuation may not be accurate. 3 Writing is characterised by the use of adventurous and precise vocabulary, including the use of figurative language where appropriate. Vocabulary is used effectively to create a strong image, e.g. : use of simil e or metaphor. 3 Correct spelling of polysyllabic words th at confirm to a regular pattern, e.g.: making, probably, clapped, possible, possibl y. 3 The story is well placed in its setting. At least o ne event is described. 2 Some attempt to engage reader through establishment of mood and feeling. The w riter gives sufficient information for a reader to understand contents /events described. 2 Some attempt to sequence ideas logically , e.g.: content clear Openings and closings sometimes evident. 2 Some variation in sentence openings, e.g. : not always starting with the same noun, pronoun or other word. Co mpound sentences are used but connectives are simple, e.g.: ‘and’, ‘but’, ‘so’, with generally grammatically correct clauses . 2 All sentences most ly demarcated accurately with full stops, question and exclamation marks , i.e .: at least half of possible opport unities Speech marks, if used, may not be accurate. There may be the occasional capitalisation error. 2 Some evidence of specific/expressive vocabulary choices used accurately. e.g. powerful verbs 2 Spelling of common words with more than one sy llable, including compound words, is generally accurate, e.g. : anything, something, yesterday. 2 The story has a simple plot , i. e. : involving a ( difficult ) decision . 1 The reader is given basic information that is linked to the narrative (even if it is not about a decision). 1 Story ideas are evident. 1 Simple sentences are generally grammatically correct. ‘ and’ may be used to connect clauses. 1 Some demarcation of basic sentence structures evident , e.g. : full stops, capital letters, questi on and exclamation marks. 1 Simple generally appropriate vocabulary used – limited in range but relevant , i.e.: specific to the content of the story . 1 Spelling of high frequency words is generally correct , e.g. : because, there, their. 1 Award 0 where performance fails to meet the lowest description. Stop marking at the first statement in a column that the student fails to achieve and award the mark in the box below.