[PDF] 2018 Key Stage 2 Year 6 - English Reading Test Booklet.pdf | Plain Text

Reading Booklet 2018 key stage 2 English reading booklet The Giant Panda Bear Albion�s Dream Grannie

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The Giant Panda Bear pages 4 – 5 Grannie page 6 Albion’s Dream pages 8 – 10 Contents 3

Panda bears are very popular animals, partly because of their unusual appearance and partly because there is something mysterious and fascinating about them. However, their numbers are falling. It is thought that only around 1600 giant pandas still survive in the wild. Giant pandas have the same type of body shape as other bears. They have thick black and white fur, which some scientists think may be to disguise them in the snowy and rocky surroundings where they live. An adult can grow up to 1.5 metres and weigh up to 150 kilograms. They might look cute but they have razor-like claws. They also have powerful jaws for crushing and grinding bamboo! Giant pandas in the wild live on mountainous slopes in western China. Their habitat is densely populated with �r trees and bamboo. It is the forests in these mountains that attract the panda as bamboo is their favourite food. In the wild, their main diet is bamboo. To survive, they need to eat for most of the day. In fact, they eat 15 to 30 kilograms of food every day and spend 10 to 16 hours feeding. In zoos, they have a specially prepared diet of bamboo, eggs, �sh and honey. Newborn cubs weigh around 150 grams (about the weight of an apple) and are all white at birth. The black spots develop after about a month. They begin eating bamboo at six months and weigh 31 to 36 kilograms at the end of the �rst year. Cubs stay with their mother for two to three years, reach maturity at �ve to seven years and live in the wild for about 25 years. • Giant panda bears have to eat every day which means, unlike other bears, they cannot hibernate in the winter. • Giant pandas’ bodies are able to digest meat but they rarely eat it. • Until recently, scientists thought that pandas spent most of their lives alone, but new studies show that small groups of pandas can share a large territory. Why are people concerned about the giant panda? Many people fear that giant pandas will become extinct as only a few are born in the wild each year and they do not always survive. Bamboo supplies are diminishing in panda habitats, cutting off a vital food supply. In addition, poaching and humans moving into the pandas’ territory have also reduced their numbers. There are very few pandas in zoos, although this is changing. Where there are pandas in captivity, important programmes are in place to try to increase their numbers and �nd out more about these puzzling creatures. How can people help? There are projects where people are invited to ‘adopt a panda’. The money goes towards researching, protecting and monitoring them. It also goes towards supporting them in the wild. What about the future? In two of China’s main research centres, 19 cubs have been born. There are now over 300 pandas in captivity and the next challenge is to return them to the wild. The Chinese government has created 50 panda reserves to continue the work. Did you know? In China, the panda is a symbol of peace. The Chinese word for panda is ‘Xiongmao’ (giant cat bear) because a panda’s eyes are shaped like a cat’s. Over the centuries, pandas have also been called ‘spotted bear’ and ‘black and white bear’. 4

Why are people concerned about the giant panda? Many people fear that giant pandas will become extinct as only a few are born in the wild each year and they do not always survive. Bamboo supplies are diminishing in panda habitats, cutting off a vital food supply. In addition, poaching and humans moving into the pandas’ territory have also reduced their numbers. There are very few pandas in zoos, although this is changing. Where there are pandas in captivity, important programmes are in place to try to increase their numbers and �nd out more about these puzzling creatures. How can people help? There are projects where people are invited to ‘adopt a panda’. The money goes towards researching, protecting and monitoring them. It also goes towards supporting them in the wild. What about the future? In two of China’s main research centres, 19 cubs have been born. There are now over 300 pandas in captivity and the next challenge is to return them to the wild. The Chinese government has created 50 panda reserves to continue the work. Did you know? In China, the panda is a symbol of peace. The Chinese word for panda is ‘Xiongmao’ (giant cat bear) because a panda’s eyes are shaped like a cat’s. Over the centuries, pandas have also been called ‘spotted bear’ and ‘black and white bear’. 5

Grannie I stayed with her when I was six then went To live elsewhere when I was eight years old. For ages I remembered her faint scent Of lavender, the way she’d never scold No matter what I’d done, and most of all The way her smile seemed, somehow, to enfold My whole world like a warm, protective shawl. I knew that I was safe when she was near, She was so tall, so wide, so large, she would Stand mountainous between me and my fear, Yet oh, so gentle, and she understood Every hope and dream I ever had. She praised me lavishly when I was good, But never punished me when I was bad. Years later war broke out and I became A soldier and was wounded while in France. Back home in hospital, still very lame, I realised suddenly that circumstance Had brought me close to that small town where she Was living still. And so I seized the chance To write and ask if she could visit me. She came. And I still vividly recall The shock that I received when she appeared That dark cold day. Huge grannie was so small! A tiny, frail, old lady. It was weird. She hobbled through the ward to where I lay And drew quite close and, hesitating, peered. And then she smiled: and love lit up the day. 6

Grannie I stayed with her when I was six then went To live elsewhere when I was eight years old. For ages I remembered her faint scent Of lavender, the way she’d never scold No matter what I’d done, and most of all The way her smile seemed, somehow, to enfold My whole world like a warm, protective shawl. I knew that I was safe when she was near, She was so tall, so wide, so large, she would Stand mountainous between me and my fear, Yet oh, so gentle, and she understood Every hope and dream I ever had. She praised me lavishly when I was good, But never punished me when I was bad. Years later war broke out and I became A soldier and was wounded while in France. Back home in hospital, still very lame, I realised suddenly that circumstance Had brought me close to that small town where she Was living still. And so I seized the chance To write and ask if she could visit me. She came. And I still vividly recall The shock that I received when she appeared That dark cold day. Huge grannie was so small! A tiny, frail, old lady. It was weird. She hobbled through the ward to where I lay And drew quite close and, hesitating, peered. And then she smiled: and love lit up the day. The test continues on the next page. Turn over to read the next text. 7

There were rooms in the old farmhouse which I never saw used and which smelt of a past that held extraordinary fascination for me: little windows where unknown ancestors had sat on autumn evenings; old leather-lined bookcases with books that no one had handled for fty years; dust that no one had bothered to remove; piles of candle wax in unlikely corners; huge chamber pots and cracked basins, and everywhere a great generosity of space. Outside there was a big lawn hardly walked on, owerbeds hardly looked at, a vegetable garden which always produced too much, a vast horse chestnut with enough conkers to satisfy the needs of a whole village of boys, a second\ lawn that nobody ever sat on, and the poignant smells of animals and harvests of a\ bygone age. Albion’s Dream In this text, Edward describes a strange incident that happened to him in an old farmhouse owned and inhabited by his Uncle Jack. There also lived with Jack an elderly spinster called Em Sharp who was the t\ rue guardian of the place and of the memories of the family. The farmhouse never got any cleaner under her care, but it never got any dirtier either. In fact, she was determined that nothing should change, and nothing did. There were times, as I grew older, when I went to stay with Jack on my own. I followed him on his work around the farm, or explored the empty rooms of the farmhouse. One day – I was twelve years old – it was raining and Jack had taken t\ he car on business. Left to my own devices, I visited the dogs and young chicks, watched Em \ Sharp for a while as she prepared lunch, then made my way upstairs into the largest and most remote of the empty rooms, where one of the big bookcases had attracted my curiosity. I pulled out some of the books, glancing idly at the contents, and then,\ as I went to return one of them to its place, my eye was caught by something in the dark r\ ecesses of the shelf. I reached in and drew it out. It was a large red dice, but like no other dice I had ever seen. I took it to the window to inspect it. Each face had a symbol: a tower, a sword, a broken circle, something that looked like a pillar of stone. It was obvious that t\ he dice had been fashioned by hand, for I could even make out the tiny blade marks, \ and none of the faces was precisely even. As I sat and puzzled over the symbols, it dawned on me that the dice oug\ ht to belong to a game of some kind. So I returned to the bookcase to make a thorough search. I looked behind every book and even used my hand to sweep out the shallo\ w gap under the bottom shelf. There must have been ten years’ worth of assorted debris under there. Finally I began to edge the entire bookcase away from the wall. It was extremely heavy and it took me some time to get it out far enough to look be\ hind. There was a thick network of cobwebs and dust. I thought for a moment and pl\ unged my hand in the gap. There was something there, a at box. It was covered with grime and falling apart. Opening it, I found a board, counters, cards, and a number of little gures. I wiped away the dirt from the lid and made out the title. Albion’s Dream it said. At that moment I heard Em Sharp’s voice coming up the stairs. 8

There were rooms in the old farmhouse which I never saw used and which smelt of a past that held extraordinary fascination for me: little windows where unknown ancestors had sat on autumn evenings; old leather-lined bookcases with books that no one had handled for fty years; dust that no one had bothered to remove; piles of candle wax in unlikely corners; huge chamber pots and cracked basins, and everywhere a great generosity of space. Outside there was a big lawn hardly walked on, owerbeds hardly looked at, a vegetable garden which always produced too much, a vast horse chestnut with enough conkers to satisfy the needs of a whole village of boys, a second\ lawn that nobody ever sat on, and the poignant smells of animals and harvests of a\ bygone age. Albion’s Dream In this text, Edward describes a strange incident that happened to him in an old farmhouse owned and inhabited by his Uncle Jack. There also lived with Jack an elderly spinster called Em Sharp who was the t\ rue guardian of the place and of the memories of the family. The farmhouse never got any cleaner under her care, but it never got any dirtier either. In fact, she was determined that nothing should change, and nothing did. There were times, as I grew older, when I went to stay with Jack on my own. I followed him on his work around the farm, or explored the empty rooms of the farmhouse. One day – I was twelve years old – it was raining and Jack had taken t\ he car on business. Left to my own devices, I visited the dogs and young chicks, watched Em \ Sharp for a while as she prepared lunch, then made my way upstairs into the largest and most remote of the empty rooms, where one of the big bookcases had attracted my curiosity. I pulled out some of the books, glancing idly at the contents, and then,\ as I went to return one of them to its place, my eye was caught by something in the dark r\ ecesses of the shelf. I reached in and drew it out. It was a large red dice, but like no other dice I had ever seen. I took it to the window to inspect it. Each face had a symbol: a tower, a sword, a broken circle, something that looked like a pillar of stone. It was obvious that t\ he dice had been fashioned by hand, for I could even make out the tiny blade marks, \ and none of the faces was precisely even. As I sat and puzzled over the symbols, it dawned on me that the dice oug\ ht to belong to a game of some kind. So I returned to the bookcase to make a thorough search. I looked behind every book and even used my hand to sweep out the shallo\ w gap under the bottom shelf. There must have been ten years’ worth of assorted debris under there. Finally I began to edge the entire bookcase away from the wall. It was extremely heavy and it took me some time to get it out far enough to look be\ hind. There was a thick network of cobwebs and dust. I thought for a moment and pl\ unged my hand in the gap. There was something there, a at box. It was covered with grime and falling apart. Opening it, I found a board, counters, cards, and a number of little gures. I wiped away the dirt from the lid and made out the title. Albion’s Dream it said. At that moment I heard Em Sharp’s voice coming up the stairs. 9

“Edward. EDWARD!” she called. “What on Earth are you up to in there?” The door opened. It took her a few seconds to work out what I was doing; then she leapt t\ owards me. “Give me that immediately, Edward.” I drew back cautiously. “That box is mine. It’s nothing to do with you. It belongs to me.” She came forward with frightening intensity, her hand reaching out for the box. I hesitated. If it really was hers, I had no right… But a stronger sense of justice broke out in me. I had found it by my own efforts. For the time being, at least, it should be mine. 10

“Edward. EDWARD!” she called. “What on Earth are you up to in there?” The door opened. It took her a few seconds to work out what I was doing; then she leapt t\ owards me. “Give me that immediately, Edward.” I drew back cautiously. “That box is mine. It’s nothing to do with you. It belongs to me.” She came forward with frightening intensity, her hand reaching out for the box. I hesitated. If it really was hers, I had no right… But a stronger sense of justice broke out in me. I had found it by my own efforts. For the time being, at least, it should be mine. 11 [BLANK PAGE] Please do not write on this page.

2018 key stage 2 English reading booklet Print version product code: STA/18/7968/p ISBN: 978-1-78644-621-3 Electronic PDF version product code: STA/18/7968/e ISBN: 978-1-78644-641-1 For more copies Additional printed copies of this booklet are not available. It can be downloaded from www.gov.uk/government/publications. © Crown copyright 2018 Re-use of Crown copyright in test materials Subject to the exceptions listed below, the test materials on this website are Crown copyright and you may re-use them (not including logos) free of charge in any format or medium in accordance with the terms of the Open Government Licence v3.0 which can be found on the National Archives website and accessed via the following link: www.nationalarchives.gov.uk/doc/open-government-licence. When you use this information under the Open Government Licence v3.0, you should include the following attribution: ‘Co\ ntains material developed by the Standards and Testing Agency for 2018 national curriculum assessments and licensed under Open Government Licence v3.0’ and where possible provide a link to the licence. Exceptions – third-party copyright content in test materials You must obtain permission from the relevant copyright owners, as listed in the ‘2018 key stage 2 tests copyright report’, for re-use of any third-party copyright content which we have identi ed in the test materia\ ls, as listed below. Alternatively, you should remove the unlicensed third-party copyright content and/or replace it with appropriately licensed material. Third-party content Images of giant panda and bamboo © Clipart.com. Image of bamboo forest (586084199) © blew_s shutterstock.com. Grannie: Taken from The Works 4, edited by Pie Corbett and Gaby Morgan, Macmillan Children’s Books, 2005. Author: Vernon Scannell. Albion’s Dream: Taken from Albion’s Dream, Faber & Faber, 1992. Author: Roger Norman. These texts and illustrations have been incorporated into this test paper solely for the purposes of the examination in accordance with Section 32 of the Copyright, Designs and Patents Act 1988, as\ amended by the Copyright and Rights in Performances (Research, Education, Libraries and Archives) Regulations 2014. No copyright or clearance for any other use has been obtained or sought. If you have any queries regarding these test materials, contact the national curriculum assessments h\ elpline on 0300 303 3013 or email assessments@education.gov.uk.